NOTES: *I
have encountered several Christmas books that, while not exactly
Southern/Central Appalachia, certainly have a very close bond to it,
both geographically and culturally. These I have included in this list
with a red asterisk in front of the author's name.
**After some thought I have
decided to include those Christmas picture books that, while not set in
Appalachia, are written by Appalachians. These books are marked
by two green asterisk marks in front of the author's name.
Balderose, Nancy Ward. Once
Upon A Christmas Pony: A Mountain Christmas. Illus. Nancy Ward Balderose. Ridgefield, CT: Morehouse, 1992. Imagine it's almost Christmas Eve--the time somewhere around the
1940s. A young boy and his sister are eager to get to church to
see the annual Christmas play and taste the sweetness of the striped
candy canes Pastor Adkins always gives out after the nativity play. But first they have a chore to do. Jess and Hannah Puckett are
sent to the old coal mine to retrieve the buckets of coal left there by
their father. It's for the church. Mama sends them on their
way with Chester, the family horse, daddy's coal mining hat, and a
lantern. The snow falls, getting deeper and
deeper. Jess and Hannah collect the coal and start off toward
Sugar Ridge Community Church. However, on the way they make two
stops. Widow Samples and Hezekiah are in need of coal. Of
course the children leave each plenty. They even sing Hezekiah's
favorite Christmas song, "Silent Night," since he is too ill
to attend church tonight. The real excitement occurs when the
children reach the church and Chester sneezes, waking Jeb McKinney's coon
dogs, who then frighten Chester with their barking and nipping. Jess, Hannah, and Chester suddenly become part of the already in
progress nativity play as the frightened horse clambers up the church
steps and into the church. Pastor Adkins, not the least ruffled by
this unexpected event, includes the three in the nativity story. When the other wise men offer their gifts of gold, frankincense,
and myrrh, Hannah unwraps her scarf and offers the last few lumps of
coal from the sled. Everyone proclaims this to be the best
nativity play ever, and the best kept secret. But "news
travels fast in the country." Pastor Adkins praises the
children for their good deeds. The illustrations evoke the
atmosphere of a country town, a cold and snowy winter night, and the love
and goodness of a small community. The small side pictures of
Widow Samples and her children standing crowded at their door and
Hezekiah in red flannel underclothes lying in bed are especially
poignant.
*Brown,
Elizabeth Ferguson. Coal Country Christmas.
Illus. Harvey Stevenson. Boyds Mill Press, 2003. Like
George
Ella Lyon'sMama
is a Miner and Anna
Smucker'sNo Star Nights (about a steel mill town), this is another
beautifully written book that does not suppress the harsh realities of
living and working in Appalachia. In this nostalgic story (1950s),
young Liz, whose mother and grandmother share the same name, travels
from New Jersey with her mother to the small coal mining town of
Carbondale, Pennsylvania (located in the upper-Appalachian region, about
20 miles from DC) for
Christmas. "Smoke, dark with soot, sends out its welcome from
coal country chimneys." Her "grandfather's empty rocker
sits by the window....The lung sickness that comes to those who go deep
into the mines day after day has left many empty rockers."
Brown also shares her memories of the dangers of gas from coal stoves and mines beneath
houses, of houses and streets that tilt "as old shafts collapse
beneath them," of smoke that continues to rise in the still
smoldering mines. Sadly, the holiday get-together consists of mostly
women. Young Liz hears the "sad, lonely wail of a train
whistle. Its cry echoes off the mountains as it races against the
night leaving coal country behind," reminiscent of the many
forgotten coal towns, left to die alone. However, as in Lyon's and Smucker's books, Brown's book reveals the beauty of the
mountains and the love of a close-knit family. Beautiful
snow-covered mountains and a soft-eyed deer welcome the two Lizes
home. Family traditions continue: Yule trees decorated with
special ornaments, garlands decorating houses, the old stove, gathering family,
grandmother's wonderful fruit cake, sleeping in grandmother's bed,
"the bed of the three Lizs." Home! A lovely
story! (NOTE: To schedule a presentation, contact Elizabeth
Brown through Boyds
Mill Press or at brownelizf@aol.com.
She also has an absolutely wonderful teaching packet, Using
Family Stories to Deliver Curriculum, that she wrote for this
story! Coal Country Christmas is listed in the American
Coal Foundation Resources Website.)
Buck, Pearl S. Christmas Day in the Morning. Illus. Mark Buehner. New York: HarperCollins, 2002. "Rob wants to get his father something special for Christmas this
year--something that shows how much he really loves him. . . .Originally
published in 1955, this classic story is now being issued, for the first
time ever, as a picture book with glorious full-color art by acclaimed
artist Mark Buehner" (Front Cover). Buehner notes that his
children, Heidi and Grant, heard this story in church. On
Christmas Eve his inspired children gave a gift to their parents; they
cleaned the main floor of the house. "It's been an honor for me to
illustrate this wonderful and meaningful story" (Illustrator's
Note).
Caudill, Rebecca. A Certain Small
Shepherd. Illus. William Pene Du Bois. New
York: Henry Holt, 1965. Jamie is born on a cold November night in Hurricane Gap. That very
night, before she dies, his mother moans, "For sure, it's bad luck
trying to break in." Father responds bravely, "Bad luck
has no business here." But little Jamie does have his share
of bad luck. Jamie can't talk. He can't talk when he is two,
he can't talk when he is four, Jamie can't talk when he starts school at
age six. But he listens. And Jamie learns many things. He learns about birds from his father. He learns about letters and
numbers from his teacher, Miss Creech. Finally Christmas
approaches. There will be a school play. And Jamie will be a
shepherd. He practices very hard. But it seems as though bad
luck has come again. A strong storm keeps the children at home;
the play is cancelled. Jamie is very disappointed. He
listens for the voice of the angel his father reads about from the
Bible, the one that tells the shepherds of the coming birth. But
the storm only gets worse. Looking out the window, Jamie sees
something. He calls his father and sisters to come see. A
man and woman come to the back door looking for a place to stay.
They have been to three houses before Jamie's. Father takes care of
the couple, who insist that it would be better if they stay in the
stable. The next morning, Christmas morning, Jamie hears
something, or maybe he says something to himself. Father awakens
Jamie and his sisters. He wants them to see a miracle. As
the children follow their father, he says that the stable is no place to
stay, especially when there is a warm and comfortable church
nearby. The children enter the warm church and see the woman
sitting on an old buffalo skin, covered with quilts. There is a
baby. Jamie runs out of the church and returns in his shepherd
costume. As Jamie gives the baby the orange from his stocking, he
says loud and clear, "Here's a Christmas gift for the
Child." To the mother he says, as he hands her his Christmas
dime, "And here's a Christmas gift for the Mother." The
illustrations definitely reveal the period during which the book was
written, the 1960s. They also make a strong statement about the
times; the couple who find refuge in the little church are
black. Jamie’s
frustration, his anger, his happiness are all realistically dealt with in this story that echoes that of the birth of Christ.
**Evans,
Ron W. The Recipe for Christmas Snow. Illus. Terry Couch. Corbin,
KY: Creek Sound Books, no pub.
date. What
happens when the recipe for snow is lost? How was it lost? And what of Santa's nieces? Will they hide from him forever? Will Santa's dark mood go away? Will the sky once again be
bright? Will there ever be snow again? Read the book and you
are sure to uncover the mystery of the missing recipe. You'll also
find simply crafted but creatively planned illustrations to accompany
the text of the book. Imagine "A singing brook that flows
close by / Makes music by the barrels / And splashes out the silver
notes / For use in Christmas carols."
Hall, Francie. Appalachian Christmas ABCs. Illus. Kent Oehm. Johnson City, TN: Overmountain Press, 2008. "Exploring the whimsy and worship of Yuletide in the mountains, each letter captures a glimpse of the traditions, food, and frolicking shared by family and friends. Incorporating a legend about the animals around the manger, a program with angels announcing God's glory, and choirs softly singing carols, this A-to-Z book for all ages will become a new Christmas tradition for families who gather around the tree each December."
Houston, Gloria. Littlejim's
Gift: An Appalachian Christmas Story. Illus.
Thomas B. Allen. New York: Philomel, 1994. This story, like most by Gloria Houston, is based on her own family
stories and Appalachian holiday traditions. Littlejim wants more
than anything to attend the church Christmas tree celebration. But
his father is a stern man: "No time for celebrating. Most of our boys from off the Creek here are across the water trying to whup the Kaiser. What with the war and all, Christmas is just
another day. And that's that." Still, Littlejim dreams
of attending the Christmas tree celebration. He learns that there
will be a contest, a Bible verse competition. Whoever wins the
contest will recite verses at the Christmas tree celebration.
Littlejim will enter the contest. This way his father might attend
the Christmas tree celebration. Littlejim also dreams of building
things. But Bigjim doesn't have time to teach him. Littlejim
saves the money he makes from working at his Uncle's sawmill on
Saturdays, a dime each work day. He will buy a set of tools. One day Bigjim needs Littlejim to help him in the woods. Littlejim
works hard. But he takes off his mittens just as Bigjim throws him
the header-grab. The steel is so cold it burns like his mother's
cookstove when it is hot. Littlejim ends up in bed with his hands
wrapped. Every day, Littlejim's sister, Nell, reads to him,
listens to him recite his Bible verses, and brings him special
gifts. Littlejim remembers how longingly Nell looks at the
beautiful doll in the window of Burleson's store. His sister has
been so good to him. Littlejim wins the contest, and he, his
mother, and Nell attend the Christmas tree celebration. Bigjim
stays home. When the gifts are given out, Nell gets the beautiful
doll from the window. Littlejim realizes that giving is what is
most important about Christmas. Littlejim's surprise is the set of
tools. His mother has purchased the gift with her egg money.
And as an added surprise, Bigjim enters the church just after the gifts
are passed out. Bigjim still seems stern, but he squeezes his
son's shoulder as he sings along with the rest of the
congregation. The hazy illustrations recall a time past, and often
give the impression of memories, half-faded.
Houston, Gloria. The Year of the
Perfect Christmas Tree. Illus. Barbara Cooney.
New York: Dial, 1988. This
Christmas, "when the village almost did not have a Christmas
tree," is a Christmas that young Ruthie will never
forget. Tradition is very important in the Appalachian mountains
of Pine Grove. Each Christmas a family is chosen to pick a
special tree for the village church–a rhododendron, a cedar, and this
year, a balsam. Papa tells Ruthie it is important to pick the tree
early. Early that spring, the two ride "across the high
cliffs and along the craigs looking for the perfect Christmas
tree," to the top of Grandfather Mountain. Since custom
also dictates that a child of the chosen family be the angel in the
Christmas play, Papa believes it fitting that Ruthie tie the red ribbon
to the top of the chosen tree. The year is 1918, and the Great War
makes it hard on everyone. Papa is called to serve. Finally
a letter arrives from Papa. The Armistice was signed; he will be
home for Christmas. Mama and Ruthie wait and wait for Papa's
return. The day before Christmas, Papa is still not home. Miss Jenny and her students practice the Christmas play. Ruthie
needs a white dress with big sleeves, so they will look like angel
wings. But there is no money, Papa is still not home, and the
Preacher wants to let Chad McKinney provide the tree. Mama says,
"Tom is as good as his word. Our family will give the tree
this year." That night Mama and Ruthie head out to get the
special balsam Papa chose. It is a long walk, and cold. With
determination and hard work, Mama and Ruthie cut the tree and pull it to
the village church. A white dress for Ruthie is fashioned out of
Mama's wedding dress. Last-minute preparations are made for the
special night, Christmas Eve. At the end of the program, Papa is
still not home. It is time to pass out the Christmas
presents. Ruthie wants a doll, just like the one her Mama secretly
makes for her the night she makes her angel dress. But Papa is
still not home. The Preacher says the benediction, and the
families begin leaving for home. Yet there standing next to St.
Nicholas is one more gift for Ruthie, her Papa. He has made it
home, just as he promised. "That's how it happened, the
Christmas of the heavenly angel and the perfect balsam Christmas
tree. Grandma Ruthie told me so." A beautifully told
story, full of description of the Appalachian mountains, Houston's story
is one that might prompt the beginnings of new traditions, or at least
memories of similar traditions. Cooney's illustrations are a
perfect complement to Houston's tale of a long Christmas
tradition.
Marie,
Nancy. Country Christmas.
Illus. Delores Rylan. Grafton, WV, 1979. This
story is reminiscent, both in text and illustrations, of picture books from
the early sixties. What makes this book unusual, however, is the
scratch and sniff labels that are sprinkled throughout the pages. Readers of this book have the added pleasure of Christmas scents–pine,
candy cane, gingerbread, hay, chocolate, bayberry, ham, pudding, and
peanut butter cookies. Marie has certainly made use of a powerful
sense to evoke memories in the minds of her readers.
Moser, Barry. Good and Perfect
Gifts: An Illustrated Retelling of The Gift of the Magi. Illus. Barry Moser. Boston: Little, Brown, 1997. "Master
storyteller Barry Moser has put a warm and uniquely southern [Tennessee]
twist on a
tale that speaks as clearly to today's audience as it has to generations
past" (Front cover). Moser begins his tale
with Rebecca teaching her Sunday school class the story of the birth of
Jesus. Rebecca doesn't pretend to know all the answers; she just
tells the story from her heart. (Teachers will certainly associate
with, if not enjoy, the remarkably realistic battery of questions and
verbal banter from the children in Rebecca's class.) A treasured
prize quilt from Rebecca's recently deceased mother and Fenton's Snap-on
tools replace the long, flowing hair and pocket watch of O'Henry's
story. Moser's use of dialect is light, offering a warm and
realistic example of Appalachian speech. About the illustrations,
Moser says, "The pictures in this book were rendered as if drawn
and painted on brown wrapping paper, which has old Christmas
associations for me. . . . its [the brown wrapping paper's] tone permeates
the illustrations, and Rebecca and Fenton use it to wrap each other's
gifts. Brown paper is a symbol of the ordinary lives these kids
lead and their modest means. It also suggests that ordinary
materials can yield good and perfect gifts" (Back
cover).
Ransom,
Candice. One Christmas Dawn. Illus.
Peter Fiore. BridgeWater Books, 1995. Rhythmical
language and beautiful paintings tell the story of a ten-year-old girl
awaiting the return of her father for Christmas. "Back then
we lived on Morning Star Ridge, where Big Lick Creek turkey-tailed into
three forks." Work was scarce, and Daddy had just been sent
home from the quarry because it was too cold to work. He has to go
to Bristol to find work, but promises to be back by Christmas. The
protagonist of the story explains that it is too cold to sit on her
"Gone but" stone and watch for the train. (The
"Gone but" stone is a gravestone with no name, just Gone
but.) It is so cold the train even stops running. How is
Daddy going to get home for Christmas? And then a glorious thing
happened. The little girl awakes to a strange glow from the
window. Outside the sun is shining and everything is in
bloom. Suddenly it all disappears. Daddy makes it
home. It is years later the protagonist remembers "Days gone,
but not forgotten." "The winter of 1917, the inspiration
for this story, was one of the coldest on record in the mountains of
southwest Virginia. . . .The story of the early Christmas dawn, handed
down among mountain folk, may be traced back to the British legend of
the Glastonbury rose, which is said to bloom an hour before the true
dawn on old Christmas Day, January 6" (Author's Note).
**Ryan, Cheryl. Christmas Morning. Illus. Jenny Mattheson. New York: Scholastic, 2004. A
Rat King, a Nutcracker, a Doll, these are just a few of the characters
that make up Ryan's story about Christmas morning. But don't think
this a simple retelling, in cumulative form, of The Nutcracker.
Ryan's story contains many other items associated with Christmas, like
snow, reindeer, Santa, etc. The repetition of lines is fun to
read, especially aloud, and more so when the reader makes use of the
"Motions to Accompany the Story" that Ryan provides at the end
of the book. The illustrations by Jenny Mattheson are a perfect compliment
to the text--simple line drawings filled in with delightful pastels and
hints of primary colors convert into more three-dimensional,
three-quarter page spreads that will delight all. The illustrators
returns, at the end of the book, to the simple line drawings filled with
warm colors. Text box designs are unique to each page, and most
include an element of importance to the text
itself.
Rylant,
Cynthia. Christmas in the Country.
Illus. Diane Goode. New York: Blue Sky Press, 2002. Rylant
and Goode are reunited in this heartwarming story of a young girl who
lives with her grandparents in the Appalachian mountains. The story is
warm and nostalgic, much like Rylant's and Goode's first book, When I
Was Young in the Mountains. However, the illustrations are markedly
different in this book. Goode's illustrations in this book are rendered
in pen-and-ink and watercolor. Cross-hatching and wonderful country
details, like the ever-present family dog and the always windblown hair,
make this a cozy story for children of all ages.
**Rylant,
Cynthia. Little Whistle's Christmas. Illus. Tim Bowers. New York: Harcourt, 2003. This
is one book of a series, and quite delightful. Imagine a guinea
pig living in a store with toys. Little Whistle does. Rylant
creates dozens of wonderful toy characters to inhabit the toy store and
share life with Little Whistle. The question on everyone's mind
this Christmas is who made the toys. Was it Santa? A letter
is promptly sent off to Santa, and each night Little Whistle and the
toys wait for the answer. Bowers's realistic oil paintings are a
perfect compliment to Rylant's story about a live animal and
toys--stuffed and wooden and soft and cute and well, you
know.
Rylant, Cynthia. Silver
Packages: An Appalachian Christmas Story. Illus.
Chris K. Soentpiet. New York: Orchard, 1987. "Cynthia
Rylant, while growing up in the mountains of West Virginia, often heard
stories about a Santa Train that brought presents to coal camp children
in remote hollows" (Back cover). These memories sparked this
story of a young boy named Frankie who would wait each year for the
Christmas train in hopes of a very special gift--a doctor kit.
Frankie never gets a doctor kit, but he does get other things:
socks when it seems his feet will freeze, gloves when his fingers seem
like ice, a scarf when it feels as though a blade is cutting through his
throat, and a hat when his ears are numb with cold. Frankie grows
up and leaves the mountains. He becomes a doctor and remembers a
debt owed--one to the mountains and people of his youth. Moving
home is Frankie's way of repaying this debt. Frankie doesn't get
to thank the wealthy man who brings the presents, but he does get to
help a young girl who has fallen in the snow while chasing the Christmas
train. Soentpiet's illustrations are realistic "watercolor
paintings of glistening trains and snow-covered hills" (Front
cover).
Spain, Susan R. The Twelve Days of Christmas in Georgia. Illus. Elizabeth O Dulemba. New York: Sterling, 2010. Jacob writes a letter home each of the twelve days he spends exploring Georgia at Christmastime, as his cousin Ava shows him everything from a brown thrasher in a live oak tree to twelve bouncing kangaroos. Includes facts about Georgia." They "have a Southern-style holiday hiking the Appalachian Trail, wandering through the Gold Museum, and touring the Martin Luther King, Jr. National Historic Site in Atlanta."
Swain,
Gwenyth. I Wonder as I Wander. Illus. Ronald Himler. Grand Rapids, MI: Eerdmans Books
for Young Readers, 2003. Borderless double-page illustrations are pencil and watercolor. In Swain's imaginary account of a famous song's origin, a child tells about traveling with her preacher father. As he preaches Annie wonders about the
death of her mother during a time of beauty and new life; the
story begins in spring and continues through winter. They left their rural cabin and wander the countryside but her father's finds a captive audience in the bigger towns' bread lines. Swain weaves words, images and ideas from the song through Annie's thoughts in the story, including the word "ornery," which is Annie's nickname and was one of Swain's nicknames in her childhood. Annie and her father miss her mother's singing, including songs she would make up. While her father preaches on the courthouse square in Murphy, North
Carolina, Annie sings a song about Jesus to help keep the sheriff from chasing them away. A man asks Annie to repeat her song; offering her twenty-five
cents each time she sings it for him, he scribbles away on a piece
of paper until he can repeat Annie's song. In the Author's Note, Swain remarks, "Of
all the folksongs collected and recorded by John
Jacob Niles, none is as haunting and beautiful as the Appalachian
tune 'I Wonder as I Wander.'" Niles collected this song in 1933
at a revival in Murphy, North Carolina, when he heard Annie
Morgan sing it, but he never knew anything about her or where she got it. The book also
contains the music and verses for the song as Niles adapted it.
*Turner, Thomas N. Country Music Night Before
Christmas. Illus. James Rice. Gretna,
LA: Pelican, 2003. The
story is told in the traditional rhyme scheme of "The Night Before
Christmas." The
author pokes good-natured fun at the bright lights and tinsel of
Nashville, Tennessee and its country stars, making Santa the biggest
star of all. Instead of reindeer, Santa brings along the best of
country music's past: Conway, Roy, Patsy, Tex, Hank, Tammy, Ernest,
Grandpa, etc. The
use of dialect is much less heavy-handed in this book written twenty
years later than Hillbilly Night Afore Christmas (see below). The illustrations are comical and fun with bright
reds, oranges, and yellows highlighting each page. The story
claims Santa "looked like old Porter had picked out his
clothes"; however, I think it more likely that Elvis did. Just to give you a taste, following is the last stanza of the
poem: "I rushed out the door–just to give him a yell, /
Hollered, 'Don't be a stranger! Come on back! Set a
spell!' / And I heard his last shout, just before he got gone. / 'We'll all have a big time! You just leave the light
on!'"
Turner,
Thomas N. Hillbilly Night Afore Christmas. Illus. James Rice. Gretna, Louisiana: Pelican, 1983. Like
Turner's other variation on "The Night Before Christmas" (see
above), the rhyme scheme is the same as the original Clement Moore poem. In this version the reindeer have been changed to
bears. While Turner probably intended the book to be a humorous
look at Appalachians, the stereotypical and excessive use of dialect is
simply too much. Following are
a couple of verses: "And d'recly I heered / Sich a
turrible trompin', / Like'n hail big es bisquit bread, / Ur store teeth a
chompin'. / Though I near met myself, / Tarn'ed quick es a toad, /
Sainty
skinned down that chimbley / 'For I ever knowed."
Buck,
Pearl S. Pearl S. Buck's Book of Christmas.
G. K. Hall,1986. 507 pp. (Large
Print Edition) Includes
"Once Upon a Christmas" and "The Christmas Ghost."
Burchill,
James, Linda J. Crider, and Peggy Kendrick. Ghosts
and Haunts from the Appalachian Foothills: Stories and Legends.
Nashville, TN: Rutledge Hill Press, 1993. 147-149. "First
Draft Writers Group was formed in January 1987 out of the determination,
frustration, and need for support of two people in rural North Georgia.
. . .[They are a group of people] interested in keeping the old legends
of southern Appalachia alive and preserved for tomorrow's writers and
storytellers" (Introduction 9-10) "The Man Who Met Santa
Claus" is the story of Harvey, a man who just six months earlier
was a prisoner of war in Japan. He was released to go home.
When the snowstorm stopped the Greyhound bus in Columbia, Harvey started
hitchhiking. He soon became fevered with a malaria attack. He took
a quinine pill and waited. Then he saw an "oddly dressed
white-bearded man" (148). What he took to be the old man's
truck, actually a sleigh, was stuck in the ditch. Back on the
road, the old man gave Harvey a ride home and a gift. You must read the
ending to find out if the story is true or not.
Chase,
Richard. Grandfather Tales. Illus. Berkeley Williams, Jr. Boston: Houghton Mifflin, 1948. Chase's
popular book of Appalachian folktales contains a frame story that
explains the tradition of celebrating Old Christmas (Jan. 6). Tom
Hunt invites Richard Chase, a visiting folklore collector (as he was in
real life), and James Turner to stay overnight on Old-Christmas Eve. A
group of family and friends tell stories and sing songs all night. They
begin with a Mummers' Play that Uncle Kel says was performed on Old
Christmas when he was young. Granny London points out that the first
song the young people sing wasn't in the old mummin' play ("Joseph and
the Angel," with music given in chapter 1). In the last chapter, they
sing "The Babe of Bethlehem" after Granny chooses it out of the old hymn
book. On Old-Christmas Day, they sing "The Garden Hymn" at breakfast and
express hope that people will treasure the memorable old songs and
tales.
(Notes by Tina L. Hanlon)
Davis, Donald. “Don’t Kill Santa!” Christmas Stories. Atlanta, GA: August House, 2006. 112 pp. "Based on the American Library Association Notable Recording for Children by the same title, these stories of Christmas at home and at Grandma's house are drawn from the familiar body of original stories the author centers in the imagined village of Sulpher Springs, North Carolina. One of the most vividly drawn locales in modern American literature, Davis's Sulpher Springs is complete in geography and characterization. Who doesn't remember the Christmas sights and sounds and smells of Grandma's? The living room aglow with a tree that touches the ceiling, the clatter of silverware and kitchen pans, the banter of relatives, and especially Grandma's bright face--these memories and more are captured by Davis and told through the eyes of a child" (Worldcat).
Davis,
Donald. Listening for the Crack of Dawn.
Little Rock: August House, 1990. "A
master storyteller recalls the Appalachia of the 50's and 60's"
(front cover). A former Methodist minister and professional storyteller
records his original stories based on his childhood in a small mountain
town in North Carolina. Includes "Christmas in Sulpher
Springs" 70-89.
Gifford,
James, M., Owen B. Nance, and Patricia A. Hall, eds. Appalachian
Christmas Stories. Illus. Jim Marsh. Ashland,
KY: The Jesse Stuart Foundation, 1997. This collection
contains short stories, essays and nonfiction memoirs, and poetry. Notable contributors include Jesse Stuart, Loyal Jones,
Harry M. Caudill, Jim Wayne Miller, and Marlin W. Blaine. The
editors have provided information on each author in "About the
Authors." Simple line drawings top several of the entries in
this collection.
Hodges,
Mary Bozeman. Plastic Santa, and Other Stories.
Tellico Books, 2003. This
collection of Christmas stories is set in the Appalachian mountains of
Tennessee.
Justus,
May. Children
of the Great Smoky Mountains. Illus. Robert Henneberger. New
York: E. P. Dutton, 1952. 158 pp. Sixteen stories about children, many of them characters who appear in
other Justus books. Mountain folkways are included in each story,
especially folk songs and ballads but also riddles, quilting, holiday
traditions, food, and folk beliefs. Click on title for details
on "Christmas on Wheels" and "A Christmas Eve
Guest." (Notes by Tina L.
Hanlon)
Justus,
May. Holidays in No-End Hollow. Illus. Vivian Burger. Champaign, IL: Garrard, 1970. 63 pp. "Four
short stories tell how Thanksgiving, Christmas ["Little
Lihu's Christmas Gift"] a housewarming, and a
school's birthday are celebrated in Tennessee's Great Smoky
Mountains" (Front Cover).
Justus,
May. Smoky Mountain Sampler. Illus. Jean Tamburine.New
York: Abingdon, 1962. 127 pp. There
are two stories about Glory and Matt from The Other Side of the Mountain
and other novels.
"Company for Christmas" is about sharing the little they have
with unexpected Christmas Eve visitors when a young family gets stranded
on the mountain in the year that Matt and Glory have to stay home to
help nurse their ailing grandfather. (Notes by Tina L. Hanlon)
Lyon,
George Ella, ed. A Kentucky Christmas. Univ. Press of Kentucky, 2003. 416 pp. "A celebration
of holiday poetry, fiction, essays, recipes, and songs by more than
sixty of the Bluegrass state’s finest writers. Gathered here are
writings from some of the legendary voices of Kentucky—and the
nation—as well as original Christmas stories and poetry from some of
the state’s emerging talents" (from description at Univ.
Press of KY page on this book, where contributors are listed,
review excerpts are given, and cover is shown). See also Shelby, below.
Moose,
Ruth, ed. Twelve Christmas Stories by North
Carolina Writers: And Twelve Poems, Too. Down Home Press,
1997. 120 pp. Collection
of short stories, poems, essays, and novel excerpts by North Carolina
writers and poets, including Lee Smith, Robert Inman, Marianne Gingher,
Sue Ellen Bridges, Michael McFee, and Kate Pickens Day.
Mushko,
Becky. The
Girl Who Raced Mules & Other Stories. Haverford,
PA: Infinity, 2003. Thirteen
hilarious stories about life in Appalachia. The last two are about
Christmas. "The Best' Un Yet" tells the story of the
Mitchum family (outsiders) who move to Weaver's Run, where their teenage
son will attend Weaver's Run Combined Elementary-High School. When
neighbors visit to welcome Mrs. Mitchum to the neighborhood, they are
put on alert when, after being invited to church, Mrs. Mitchum replies,
"We don't attend organized religious services." The
Christmas program is coming up, expected to be the same as usual;
however, the Mitchums have different ideas. The side-splitting
ending shows the resolve of Appalachian people when it comes to
tradition. "You Ain't Buck-Nekkid and You Got Enough to
Eat" reveals the importance of being proud of your own heritage and
sharing it with others. Sophie is embarrassed by her Mama's untidy
appearance and old ways. She wants to be more like the new kids in
town, and she wants her mother to fix herself up. She's devastated
when Mama agrees to be a room mother for December. What will
Sophie do, and what will the other children think of her! (NOTE: Click on the title to link to Becky Mushko's web site; click on the author's
name for additional stories and activities in
AppLit.)
Rylant, Cynthia. Children of Christmas:
Stories for the Season. Illus. S. D. Schindler. New York: Orchard, 1993. Five unforgettable stories ("The Christmas Tree Man,"
"Halfway Home," "For Being Good," "Ballerinas
and Bears," "Silver Packages," and "All the Stars in
the Night") that appeal to both children and adults. Several
realistic black and white illustrations add depth to the stories.
"Silver Packages" is set in Appalachia.
Shelby, Anne. "Jack and the
Christmas Beans." In A Kentucky Christmas
(see Lyon, above). And in Shelby's The Adventures of Molly
Whuppie and Other Appalachian Folktales. Illus. Paula McArdle.
Chapel Hill: Univ. of NC Press, 2007, pp. 55-61.
See more under Shelby's name at
Appalachian Folktales in General
Collections, Journals, Web Sites.
Burch,
Robert. Christmas With Ida Early. New
York: Viking,
1983. 157 pp. Sequel to Ida Early Comes Over the
Mountain. "Ida Early, who keeps house for the Sutton family in rural
Georgia during the Depression, becomes the unwitting target of the
children's matchmaking schemes during the holiday season."
Davis,
C. L. The Christmas Barn. Middleton,
WI: Pleasant Company, 2001.189 pp. "In
1930, when a snowstorm destroys their home in the Appalachian mountains
twelve-year-old Roxie and her family move into the barn and prepare for
a very unusual Christmas celebration" (Book summary).
Hamilton,
Dorothy. Neva's
Patchwork Pillow.
Herald Press, 1975. A
young girl compares her life in the Tennessee mountains to her
current life in Cincinnati.
Hickam,
Homer, Jr. The
Coalwood Way.
New York: Island Books, 2001. The
book is set during the fall and winter months of 1959. Miners face the
real possibility of a layoff just before Christmas (by the author of
Rocket Boys, adapted in the film October Sky)..
Justus,
May. Like
the Wise Men—A Christmas Cantata. The only play written by
Justus.
Kendle, Hazel C., and Jennifer L. Bryan. Cole Family Christmas. Illus. Jennifer Julich. Boca Grande, FL: Next Chapter Press, 2008. 74 pp. "One snowy Christmas in the coal-mining town of Benham, Kentucky, nine children and their parents discover that the most precious gifts come from the heart, in this tale based on family members' recollections. Includes a historical family photograph of the Cole family in 1919 and an epilogue about the family's years following the story." Set in 1920. "Based on a real family, the youngest of nine children in the story, Hazel, is the 88-year-old co-author of the book."
Patterson,
Nancy Ruth. The Christmas Cup. Illus. Leslie Bowman. New York: Orchard, 1989.
71 pp. Ann
Megan McCallie uses the money she makes from a lemonade stand to buy a rusty milkshake cup. She is teased for buying
"junk." Her grandmother helps her transform the cup into
a beautiful item, which is now called the Christmas Cup. She will
use the money to buy something for someone who has been nice to
her. (Note: Notable Children’s Trade Book in the Field of Social
Studies by National Council on Social Studies-Children’s Book
Council-1990. The book has also been adapted as a play produced at Mill
Mountain Theater in 1997 and 2003.)
Paxton,
Colon Wilcox, and Gary Carden. Papa's
Angels: A Christmas Story. New World Library,
1996. 121 pp. Appalachian
setting. Becca Jenkins' mother has died. Papa is
inconsolable. This will be the first Christmas for the family
since the death of Becca's mother.
Wigginton, Eliot. A Foxfire Christmas. Intro.
Bobby Ann Starnes. NC: Univ. Press of North Carolina, 1996. Nonfiction based
on student interviews with recollections of people living in the
Appalachian mountains of Georgia. Includes instructions for making food,
ornaments, and toys of times past.
Yep,
Laurence. Dream Soul.
New York: HarperCollins Juvenile, 2000. The
sequel to The Star Fisher, the story of the Chinese American Lee
family in Clarksburg, West Virginia, Dream Soul focuses on events surrounding the Christmas season of 1927.
Joan, Emily, and Bobby want nothing more than to celebrate Christmas
with their landlord neighbor, Miss Lucy. Their parents concede,
only if they behave perfectly until the time of Christmas, which is not
a traditional celebration for the Chinese. Though the children try
hard not to disappoint their parents, they do embarrass their father, so
the holiday is cancelled. When the children's father becomes
seriously ill, Joan remembers a story her father has told her and tries
to bring her father's "dream soul" back to
him. (See AppLit's Authors
Page for additional information on books by Laurence Yep.)
Larkin,
Chuck. The
Old Christmas Stories. (Traditional Stories Collected and Adapted
for Telling by Bluegrass Storyteller Chuck Larkin) "This
anthology of traditional stories was collected between 1962 and 1975
from people in the Southeastern region....The stories in this
collection, while staying true to my perception of the traditional
foundation, include embellishments from my own imagination. The
collection will provide the stories and I will provide my understanding
of the stories and their historic mission. The time I recorded this
collection was right after the Christmas holidays and the telling was
fresh in my memory. I have tried to record these legends as close to the
oral language style I use to assist those who will read or tell the
legends to others. Storytellers have my permission to tell these stories
as they are traditional public domain legends."
Russ
Childers' Appalachian Christmas. "Russ
cooks up a recipe for an old-time Appalachian Christmas such as his
ancestors might have celebrated. Seasonal tales, regional music, and
songs make it a uniquely eastern Kentucky product." Includes an
Introduction, Bibliography, Children's Books, Recorded Music, and
Activities.
Take
Me Home West Virginia "is a privately owned web site designed
to encourage West Virginians to maintain ties with their friends and
family in West Virginia. . . ." Christmas stories include
